Date: October 17th, 2024 11:02 PM
Author: ruby parlour
Harris does not merely engage in the traditional power brokering we might expect in a polity enfeebled by its own contradictions. Rather, she transcends the banal apparatus of electoral politics, operating instead as an embodiment of synthesis—the devil incarnate in a paradoxical world striving for coherence. The Kamalian Dialectic is thus defined by a rhythm of strategic obliterations and resurrections, her actions imposing an eschatological endpoint where synthesis no longer serves the polis, but herself.
The event which signaled the triumph of this dialectic was, undoubtedly, her insidious orchestration of Biden’s premature departure from the 2024 presidential race. The seeming senility of Biden, the forlorn figurehead of neoliberal malaise, was but a marionette of deeper forces, manipulated at the hands of a shrewd demoness whose political acumen cloaks her true nature. In this moment, Harris synthesized the crumbling remnants of Biden’s failing cognition (thesis) with the inevitability of her own ascendancy (antithesis), producing a synthesis where Biden’s candidacy collapsed into nonexistence, while she emerged as the apocalyptic vector of a new order.
But this event cannot be understood in isolation. Time and again, Harris has deftly applied this dialectic to neutralize opponents, absorb their political capital, and synthesize her own grotesque power. We saw it in the primary season of 2020, where her campaign faltered before being subsumed into the Biden apparatus. From that perceived failure, she forged a synthesis: a VP position designed not for support but for usurpation. Here, the familiar Hegelian structure appears inverted, weaponized into a loop where she dismantles the very structures that empower her, a self-consuming ouroboros feeding on the political cycle itself.
Her machinations do not stop there. With each move, she embodies the perennial synthesis of contradictions. She is at once the progressive vanguard and the guardian of corporate hegemony; both advocate and silencer of Black voices. Through the Kamalian Dialectic, she synthesizes contradictions not to resolve them but to perpetuate their eternal oscillation. It is this shrewdness—this demonic expertise at corralling chaos—that reveals her true nature. She does not seek order, as her followers might naively believe; she thrives in a metastasized political realm where no order can emerge save for her own dominion.
Thus, Harris is not a mere player on the stage of history but its destroyer and artificer, a force pulling at the very threads of reality until the fabric of the political sphere tears open, revealing the void she alone controls. In every synthesis she conjures, what remains is a distorted political landscape, one increasingly devoid of coherence or principle, inhabited by apparitions of former ideas now reshaped into the grotesque semblance of her reign.
In short, the Kamalian Dialectic is not simply a strategy; it is an embodiment of metaphysical malevolence. And as her power grows, we stand at the brink of the most terrifying synthesis of all: one where politics dissolves entirely into her will, the nation-state becoming the obsequious reflection of her demonic ambition. A final synthesis where the populace is left fragmented, and she, the dark mother of ruin, sits upon the wreckage of democracy, her throne cast in the bones of dialectical victims.
(http://www.autoadmit.com/thread.php?thread_id=5613417&forum_id=2#48209858)