TBF classical music question for you
| "'''""""'"' | 02/04/25 | | "'''""""'"' | 02/04/25 | | To be fair | 02/04/25 | | "'''""""'"' | 02/04/25 | | To be fair | 02/04/25 | | "'''""""'"' | 02/04/25 | | To be fair | 02/04/25 | | "'''""""'"' | 02/04/25 | | To be fair | 02/04/25 | | "'''""""'"' | 02/04/25 |
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Date: February 4th, 2025 1:05 AM Author: "'''""""'"'
but srs
Likely Russian, very likely Slavic, maybe but probably not Baltic composer. Era was maybe mid to late 1800s or slight chance of it being written in the first couple of decades of the 1900s
Long meandering mysterious piece. He claimed it was inspired by divine intervention or some kind of internal spiritual conjunction
The piece had a two word name I think. I also think the composer thought of it as his magnum opus. He may have been either sick with something or manic/hypomanic during part of his composition from it
(http://www.autoadmit.com/thread.php?thread_id=5675026&forum_id=2#48620327) |
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Date: February 4th, 2025 1:23 AM Author: To be fair (Semi-Retarded)
To be fair,
IIRC Scriabin left behind a few dozen pages of sketches for a "Prelude" section in various states of completion, and they were subsequently expanded and "completed" by other niggers who probably shouldn't have tried to fuck with his stuff IMO. So you might have heard a recording of that, but it's basically on the same artistic level as "Beethoven's 10th" (look that one up if you want a laugh).
"The Planets" is 180, easily one of the greatest and most influential large orchestral suites of the last ~100 years. Perfect blend of great melodies and rich harmonies with a little modernist edginess thrown in here and there. To the extent that it might come off as "too poppy" in 2025, that's only because film scorers have been shamelessly stealing from it for generations now; when it premiered, many audience members found it to be very discordant and complex and difficult to sit through.
(http://www.autoadmit.com/thread.php?thread_id=5675026&forum_id=2#48620349) |
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Date: February 4th, 2025 1:32 AM Author: "'''""""'"'
Based
What's the deal with "Beethoven"s 10th? Also cr on the arrogance and spiritual miscegenation and molestations of having some condottiero try to "finish" the work of a genius. Like just take that money they pay the usurper composer and put it into the ER bill of the genius instead lmao these "people" are so inept and dume
Favorite track(s) from the Holst suite? I like Ouranos, Venus, and Mercury and probably in that order
They had some shitlib postmodern composer make this very muddled, sonically confused, and asterisk-laden Pluto addendum to round off the planets even though spiritually he already made a Pluto (his "Ode to Death" goes well at the end of Neptune) later in his composing career
(http://www.autoadmit.com/thread.php?thread_id=5675026&forum_id=2#48620369) |
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Date: February 4th, 2025 1:40 AM Author: To be fair (Semi-Retarded)
To be fair,
The deal is exactly what you probably expect ((((heehee)))).
Gonna agree with Uranus, it's absolutely 180 from start to finish.
Colin Matthews is a faggot.
(http://www.autoadmit.com/thread.php?thread_id=5675026&forum_id=2#48620380) |
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Date: February 4th, 2025 2:35 AM Author: To be fair (Semi-Retarded)
To be fair,
Directionally similar vibe to "Uranus":
- Berlioz "Symphonie Fantastique" (start with last two movements)
- Saint-Saens "Danse Macabre"
- Dukas "Sorcerer's Apprentice"
- Dvorak Tone Poems (start with "The Water Goblin")
(http://www.autoadmit.com/thread.php?thread_id=5675026&forum_id=2#48620458) |
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