How did the Flaming Lips survive making so many bad records for decades?
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Date: March 5th, 2025 6:21 PM Author: backroom poasting couch
Yeah you just have to imagine how sink or swim it is now. You either get huge on a big single and a meme or you can't even afford to play at the bar down the street, huh? You have to get maximum exposure and success to even hang on.
Those guys couldn't write a tune to save their lives but they could pay rent, got written up in Rolling Stone and Pitchfork, got to tour with the Chili Peppers. All before they broke through to the point they could charge a decent ticket price for one of their elaborate stage performances.
They probably had the most success of all time for a group of guys who absolutely sucked at songwriting.
(http://www.autoadmit.com/thread.php?thread_id=5689626&forum_id=2#48718510) |
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Date: March 5th, 2025 6:25 PM Author: backroom poasting couch
100%
It's amazing how low the bar is too like if you could hum any of their early songs I'd be completely amazed.
Yikes, I just listened to She Don't Use Jelly. Floored by its incompetence. These guys made Dinosaur Jr sound like they were trying really hard to make hit records.
(http://www.autoadmit.com/thread.php?thread_id=5689626&forum_id=2#48718516) |
Date: March 5th, 2025 7:11 PM Author: Beef O'Brady's ((zurich is stained))
they have like three good records. they survived 16 crap records, put out a couple good ones, then went back to putting out dogshit.
i saw them 2-3 times on the yoshimi tour. it was 18000000000
(http://www.autoadmit.com/thread.php?thread_id=5689626&forum_id=2#48718617) |
Date: March 5th, 2025 8:10 PM
Author: ,.,..,.,..,.,.,.,..,.,.,,..,..,.,,..,.,,.
flaming lips had a devoted fanbase for a long while. they were sort of like guided by voices in that sense. however, the larger point (awful bands from the 90's and earlier being able to make a living by doing live shows and selling merchandise) is true. for example, fred armisen was in a chicago-area band called Trenchmouth which he used to launch his TV career. Trenchmouth was awful. it's barely even music. but they did fine.
(http://www.autoadmit.com/thread.php?thread_id=5689626&forum_id=2#48718842) |
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Date: March 5th, 2025 8:17 PM
Author: ,.,..,.,..,.,.,.,..,.,.,,..,..,.,,..,.,,.
at least part of it seems to be local pride and a loyalty to municipal music scenes. if you were into early-90's chicago indie rock, then they were one of 'your' bands, and people from other regions didn't necessarily know about them, and that was special.
(http://www.autoadmit.com/thread.php?thread_id=5689626&forum_id=2#48718879) |
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Date: March 5th, 2025 8:57 PM
Author: .,..,,.,.,.,.,.,..,.,.,..,..,
The Soft Bulletin is the most uplifting album ever produced by someone in the midst of profound heroin addiction. How Drozd pulled that off is one of the all time mysteries.
(http://www.autoadmit.com/thread.php?thread_id=5689626&forum_id=2#48719089) |
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Date: March 5th, 2025 9:04 PM
Author: .,..,,.,.,.,.,.,..,.,.,..,..,
I’m not an opioidomo so you’re asking the wrong person. I’m guessing they think it feels good, until it doesn’t.
(http://www.autoadmit.com/thread.php?thread_id=5689626&forum_id=2#48719113) |
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Date: March 5th, 2025 9:17 PM
Author: .,..,,.,.,.,.,.,..,.,.,..,..,
I think when you’re truly in addiction it becomes almost like medicine, in that you can’t function normally and have physical/medical side effects without the hit. Getting all the way through detox means getting through both the physical and mental hurdles, and obviously it’s quite a lot for most addicts.
Usually heroin addicts make sad, depressing music. To find that production sound from that mental state is truly bonkers.
(http://www.autoadmit.com/thread.php?thread_id=5689626&forum_id=2#48719145) |
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