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James Damiano stole my music
| laughsome disgusting senate | 07/17/12 |
| dashing weed whacker famous landscape painting | 07/17/12 |
| laughsome disgusting senate | 07/17/12 |
| dashing weed whacker famous landscape painting | 07/25/12 |
| dashing weed whacker famous landscape painting | 07/17/12 |
| brindle comical locale cuckold | 06/30/19 |
| Hyperactive Pit Newt | 07/04/19 |
| naked base | 07/04/19 |
| primrose knife | 07/04/19 |
Poast new message in this thread
Date: July 17th, 2012 1:27 AM Author: laughsome disgusting senate james damiano stole my music, and then gave it away to bob dylan. to get away with stealing my music, he poasts on racist chatblogs. his claims are meant to confuse you. i wrote my cousin joanne, and every other james damiano song. (http://www.autoadmit.com/thread.php?thread_id=1996300&forum_id=2#21106229) |
Date: July 17th, 2012 1:35 AM Author: dashing weed whacker famous landscape painting Subject: FOLK LIES: Joni Mitchell Outs Bob Dylan FOLK LIES: Joni Mitchell Outs Bob Dylan
“Bob [Dylan] is not authentic at all. He’s a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.” — Joni Mitchell, Los Angeles Times, April 22, 2010
Just type “Bob Dylan plagiarism” into your friendly search engine, and a plethora of questionable circumstances pop up, enrobing the singer almost as completely as his years of reflexive media fawning have. Documented from his teenage start, when he submitted a hand written, thinly revised version of country star Hank Snow’s “Little Buddy” for publication as an original poem, to his 1963 pilferage of Irish poet Dominic Behan’s “Patriot Game”’s melody for the similarly slanted Dylan tune “With God on Our Side” to songwriter James Damiano’s ongoing multimillion dollar copyright infringement suit (alleging Dylan’s Grammy-nominated “Dignity” is nothing but an altered version of Damiano’s “Steel Guitars”) to the naked “Red Sails in the Sunset” melody heist for the song “Beyond The Horizon” on his Modern Times album, up through the recent Confessions of a Yakuza-Love & Theft plagiarism charges (Love & Theft? Calling Dr. Freud!), the Timrod controversy, even the numerous passages of Proust and Jack London that (re) appear in the text of Dylan’s autobiography, it’s a deep, dark thicket of thoroughly damning and apparently chronic bootlegging. Naturally, Dylan has said nothing publicly about any of these, but he already spent over three million dollars defending himself against one-time affiliate Damiano–the classic delay-to-destroy court room technique.
http://www.jamesdamiano.yolasite.com |
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Date: July 17th, 2012 2:06 AM Author: laughsome disgusting senate non responsive ms. damiano. admit your shit for brains husband stole my music. (http://www.autoadmit.com/thread.php?thread_id=1996300&forum_id=2#21106413) |
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Date: July 25th, 2012 12:37 AM Author: dashing weed whacker famous landscape painting Subject: Obviously your Parants never taught you any manners Bob Dylan would be proud of you son. Here check out shit for brains website I know you'll enjoy it
Bob Dylan's Stealing of James Damiano's Songs
http://www.jamesdamiano.yiolasite.com |
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Date: July 17th, 2012 3:43 AM Author: dashing weed whacker famous landscape painting Subject: Rolling Stone Covers Up Rock and Roll Story of the Decade Rolling Stone Covers Up Rock and Roll Story of the Decade
Bob Dylan's Stealing of James Damiano's Songs
http://www.jamesdamiano.yolasite.com Bob Dylan's Stealing of James Damiano's Songs
No artist can lay claim to the controversy that has surrounded the career of songwriter James Damiano. Thirty two years ago James Damiano began an odyssey that led him into a legal maelstrom with Bob Dylan that, to this day, fascinates the greatest of intellectual minds.
Since auditioning for the legendary CBS Record producer John Hammond, Sr., who influenced the careers of music industry icons Charlie Christian, Billy Holiday, Bob Dylan, Pete Seger, Bruce Springsteen and Stevie Ray Vaughan , James has engaged in a half a billion dollar copyright infringement law suit with Bob Dylan.
As the curtain rises on the stage of deceit we learn that CBS / Sony international recording artist, Bob Dylan not only used songs and lyrics written by James Damiano but also solicited Mr. Damiano's materials for a period of over ten years and eleven months.
As per Judicial filings Bob Dylan's name is credited to the songs. One of those songs is nominated for a Grammy as the best rock song of the year. Ironically the title of that song is Dignity.
The Most Censored Story In The History Of Rock & Roll
Bob Dylan's Stealing of James Damiano's Songs
http://www.jamesdamiano.yolasite.com
(http://www.autoadmit.com/thread.php?thread_id=1984674&forum_id=2#21002512)
Reply Edit Your Message
Date: July 17th, 2012 1:43 AM
Author: GibsonDunn
Subject: FOLK LIES: Joni Mitchell Outs Bob Dylan by Jonny Whiteside
FOLK LIES: Joni Mitchell Outs Bob Dylan
by Jonny Whiteside
“Bob [Dylan] is not authentic at all. He’s a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.” — Joni Mitchell, Los Angeles Times, April 22, 2010
Just type “Bob Dylan plagiarism” into your friendly search engine, and a plethora of questionable circumstances pop up, enrobing the singer almost as completely as his years of reflexive media fawning have. Documented from his teenage start, when he submitted a hand written, thinly revised version of country star Hank Snow’s “Little Buddy” for publication as an original poem, to his 1963 pilferage of Irish poet Dominic Behan’s “Patriot Game”’s melody for the similarly slanted Dylan tune “With God on Our Side” to songwriter James Damiano’s ongoing multimillion dollar copyright infringement suit (alleging Dylan’s Grammy-nominated “Dignity” is nothing but an altered version of Damiano’s “Steel Guitars”) to the naked “Red Sails in the Sunset” melody heist for the song “Beyond The Horizon” on his Modern Times album, up through the recent Confessions of a Yakuza-Love & Theft plagiarism charges (Love & Theft? Calling Dr. Freud!), the Timrod controversy, even the numerous passages of Proust and Jack London that (re) appear in the text of Dylan’s autobiography, it’s a deep, dark thicket of thoroughly damning and apparently chronic bootlegging. Naturally, Dylan has said nothing publicly about any of these, but he already spent over three million dollars defending himself against one-time affiliate Damiano–the classic delay-to-destroy court room technique.
http://www.jamesdamiano.yolasite.com
(http://www.autoadmit.com/thread.php?thread_id=1984674&forum_id=2#21106308)
Reply Edit Your Message
Date: July 17th, 2012 1:45 AM
Author: GibsonDunn
Subject: FOLK LIES: Joni Mitchell Outs Bob Dylan by Jonny Whiteside
Rolling Stone Covers Up Rock and Roll Story of the Decade
FOLK LIES: Joni Mitchell Outs Bob Dylan
by Jonny Whiteside
“Bob [Dylan] is not authentic at all. He’s a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.” — Joni Mitchell, Los Angeles Times, April 22, 2010
Just type “Bob Dylan plagiarism” into your friendly search engine, and a plethora of questionable circumstances pop up, enrobing the singer almost as completely as his years of reflexive media fawning have. Documented from his teenage start, when he submitted a hand written, thinly revised version of country star Hank Snow’s “Little Buddy” for publication as an original poem, to his 1963 pilferage of Irish poet Dominic Behan’s “Patriot Game”’s melody for the similarly slanted Dylan tune “With God on Our Side” to songwriter James Damiano’s ongoing multimillion dollar copyright infringement suit (alleging Dylan’s Grammy-nominated “Dignity” is nothing but an altered version of Damiano’s “Steel Guitars”) to the naked “Red Sails in the Sunset” melody heist for the song “Beyond The Horizon” on his Modern Times album, up through the recent Confessions of a Yakuza-Love & Theft plagiarism charges (Love & Theft? Calling Dr. Freud!), the Timrod controversy, even the numerous passages of Proust and Jack London that (re) appear in the text of Dylan’s autobiography, it’s a deep, dark thicket of thoroughly damning and apparently chronic bootlegging. Naturally, Dylan has said nothing publicly about any of these, but he already spent over three million dollars defending himself against one-time affiliate Damiano–the classic delay-to-destroy court room technique.
http://www.jamesdamiano.yolasite.com |
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Date: June 30th, 2019 2:18 PM Author: brindle comical locale cuckold (http://www.autoadmit.com/thread.php?thread_id=1996300&forum_id=2#38464763) |
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Date: July 4th, 2019 2:44 AM Author: Hyperactive Pit Newt I think I wrote this with an alt 7 years ago. Those were the days. (http://www.autoadmit.com/thread.php?thread_id=1996300&forum_id=2#38481529) |
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Date: July 4th, 2019 2:53 AM Author: naked base (http://www.autoadmit.com/thread.php?thread_id=1996300&forum_id=2#38481542) |
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Date: July 4th, 2019 3:03 AM Author: primrose knife (http://www.autoadmit.com/thread.php?thread_id=1996300&forum_id=2#38481547) |