taking qs on all things guitar and studio recording related
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Date: April 23rd, 2025 12:02 AM Author: '"''"''''"""
I prefer AddictiveDrums. Easier to use, more variation. Ironically both companies are Swedish for some unknown reason.
From what I can recall 90s effects processors were not good. I already have a computer I don't know why I'd get a decades old computer.
I'll tell you which way the industry is going though. Everyone is gonna go to plugins. Every pedal and effect company is going to make a plugin version of their effects. Everything is going digital. Every pedal that exists will become a plugin if it hasn't already.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2Elisa#48872782) |
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Date: April 23rd, 2025 12:05 AM Author: michael doodikoff
They aren't good but that's part of the charm.
Also the old delays and chorus and shit sounded a bit different and 90s ish
Like it's really hard to get these same shitty sounds on my Helix
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2Elisa#48872790) |
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Date: April 23rd, 2025 11:24 AM Author: michael doodikoff
for shoegaze you will want a guitar with humbuckers.
A lot of those shoegaze guys used a Roland JC 120 and a fuck ton of effect pedals (example - this is Neil Halstead of Slowdive's current pedalboard that he largely uses with a JC 120 - https://spaceecho.chromewaves.net/wp-content/uploads/2023/09/slowdive-pedalboard-1-1024x1024.jpeg )
A JC 120 is huge and more amp than you need.
I have been very very happy with my Line 6 Helix modeler - it has endless effects and even models obscure pedals and amps and shit. People really like the Axe FX, Quad Cortex, etc even the Headrush. You could even get a Line 6 Stomp XL that is far smaller than a regular Helix but has all of the same effects and amps etc. Not much you can't do with one of these.
Then get a PA speaker to play it through. I got a specialized Fender modeling amp made specifically to play modelers through and it rocks (and looks like a fender amp)
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2Elisa#48873599) |
Date: April 23rd, 2025 1:57 AM Author: .,,.,.,,.,..,.,.,..
t/f - rock as a genre died in april 1994 in a greenhouse; the following 15 years were the convulsions of its corpse and it was fully buried by 2010
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2Elisa#48872878) |
Date: April 23rd, 2025 9:08 AM Author: michael doodikoff
Thoughts on the EVH Frankenstein series guitars?
I got one and it's the most fun guitar I ve ever held. Makes you want to just rip. A bunch of guitar player bros of mine said the same thing when they played it.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2Elisa#48873314) |
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Date: April 23rd, 2025 12:47 PM Author: '"''"''''"""
Both. The trick now is to get composite tones. Virtually all hard rock tones consist of multiple layers of tones.
I have gotten great tones from micing an amp and I have gotten great tones from an amp simulator. I will say that with the simulator it's a lot faster to dial in something that works. With an amp you have to play around with it a lot. Amps are a lot like sorcery. It's more like casting a spell. You try stuff and just hope it works.
The one thing I can do better with sims is make guitars that sound really punchy in the mix. Real amps don't naturally sound punchy. They're ultra compressed and just sound very uniform, like someone with a monotonous voice. With amp sims you turn a few virtual knobs and you can get a really exciting punchy sound that cuts through your mix. So hopefully some day I figure out how to do this with a live amp. I have tried lots of production tricks to achieve this but I haven't cracked the code yet.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2Elisa#48873921) |
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