RADIOHEAD RADIO -- Live / Rare / Unreleased Tracks ITT
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Poast new message in this thread
Date: May 13th, 2016 1:05 PM Author: rebellious henna alpha fat ankles
Arpeggi / Weird Fishes at 2005 Esther Festival w/ Nazareth Orchestra; Thom: vox; Greenwood: ondes martenot
https://www.youtube.com/watch?v=kUzmhztxWdc
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30470566) |
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Date: May 13th, 2016 1:32 PM Author: rebellious henna alpha fat ankles
Me too dude.
I was front row for their headline performance at 2006 Bonnaroo, and that's by far and away the best concert I've ever seen.
[Edit: I have a soundboard recording of the Bonnaroo show, if anyone's interested]
Setlist:
01. There There
02. 2 + 2 = 5
03. 15 Step
04. Weird Fishes/Arpeggi
05. Exit Music (for a Film)
06. Kid A
07. Dollars and Cents
08. Videotape
09. No Surprises
10. Paranoid Android
11. The Gloaming
12. The National Anthem
13. Climbing Up the Walls
14. Nude
15. Street Spirit (Fade Out)
16. The Bends
17. Myxomatosis
18. How to Disappear Completely
Encore # 1:
01. You and Whose Army?
02. Pyramid Song
03. Like Spinning Plates
04. Fake Plastic Trees
05. Bodysnatchers
06. Lucky
07. Idioteque
08. Karma Police
Encore 2:
01. House of Cards
02. Everything in Its Right Place
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30470760) |
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Date: May 13th, 2016 1:36 PM Author: wonderful brass temple legend
did you see them at all on the Kid A or Amnesiac tours? they were so amazing and on-point during that period. i was in the pit for their 2001 shows at the Santa Barbara Bowl and even got to chat with Ed for a bit after the first show. Check out this sick setlist from the second night. Idioteque->Everything in it's Right Place (with the crazy light board) was probably the most insane thing I've seen live. And then they kick off the encore with True Love Waits. I wish I could go back in time, brother.
1. The National Anthem
2. Airbag
3. Morning Bell
4. Karma Police
5. Packt Like Sardines In A Crushd Tin Box
6. Bulletproof... I Wish I Was
7. Talk Show Host
8. Climbing up the Walls
9. No Surprises
10. Dollars and Cents
11. Street Spirit
12. I Might Be Wrong
13. Pyramid Song
14. Paranoid Android
15. Idioteque
16. Everything In Its Right Place
Encore
17. True Love Waits
18. Lucky
18. Pearly*
19. You and Whose Army
20. How To Disappear Completely
2nd Encore
21. Cinnamon Girl (Neil Young Cover)
22. Fake Plastic Trees
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30470780) |
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Date: May 13th, 2016 2:12 PM Author: rebellious henna alpha fat ankles
My dad is a crazy boomer music fanatic.
Example: this is a decade-old photo of less than 60% of his CD collection, which takes up an entire wall in the basement of the house I grew up in: http://i.imgur.com/EyWjGsi.jpg
He sorta fell off the Radiohead bandwagon after OKC, but I've been a Kid A fanatic from the day it dropped, so we went together.
We've been to a lot of concerts together -- places his boomer ass stuck out like a sore thumb (Arcade Fire, TV on the Radio, among many others)
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30471021) |
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Date: May 13th, 2016 5:42 PM Author: rebellious henna alpha fat ankles
Yeah, and what's pictured is less than half of it is now.
His vinyl collection is insane. It includes, among other things I doubt he even knows how much they're worth (all sealed / never played):
A 1968 first press UK mono vinyl of The White Album with a three-digit serial number (i.e., 0000NNN);
A first state stereo copy of Yesterday and Today with the infamous "Butcher Cover";
A bunch of Beatles and Stones vinyl that were only released in Japan in limited quantities; and
A bunch of promotional & foreign shit (mostly Beatles, Stones, Neil Young) that was never for sale.
Next time I'm home, I plan to document all of the most valuable stuff he's collected.
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30472733) |
Date: May 13th, 2016 8:12 PM Author: rebellious henna alpha fat ankles
Fog (Acoustic Version; Unreleased) – Live at Le Reservoir 2003
https://youtu.be/qDdjGRhkM0M?t=53m36s
If interested, more info:
Part two of the ["Knives Out"] single contains the original studio-recorded version of "Fog," an ambient and melodic song, mainly bass-driven, and featuring some creative use of tambourine. This version of the song is 4 minutes 5 seconds long and differs from Thom Yorke's solo piano version sometimes played live. That brief live piano version was itself released as a b-side two years later, during the band's Hail to the Thief era, at which point it was nicknamed "Fog (Again)." The song had also been known as "Alligators in New York Sewers" since its live debut in Israel in 2000. Only the solo piano version has ever been played live, and Yorke professes to be dissatisfied with the recording found on the "Knives Out" single.
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30473643) |
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Date: May 13th, 2016 10:35 PM Author: rebellious henna alpha fat ankles
btw, dunno if you saw this upthread:
this is a decade-old photo of less than 60% of [my dad's] CD collection, which takes up an entire wall in the basement of the house I grew up in: http://i.imgur.com/EyWjGsi.jpg
so if there's other shit you want, chances are that -- between either him or i -- i can upload and poast/send.
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30474575) |
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Date: May 14th, 2016 10:40 AM Author: dashing magical stock car
I really like this track.
You're doing God's/chancemeeting's work ITT, btw.
180 billion
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30476607) |
Date: May 14th, 2016 10:53 AM Author: Self-absorbed Aggressive Parlour
Original Morning Mr. Magpie:
https://www.youtube.com/watch?v=e8wFHpHHtoY
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30476649) |
Date: May 14th, 2016 11:56 AM Author: Self-absorbed Aggressive Parlour
Ned you are an awesome dude with a similarly encyclopedic knowledge of Radiohead history as myself.
Did you used to read citizeninsane.eu? It will relaunch soon but it is 180^180 for a history of all things Radiohead songs.
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30476946) |
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Date: May 14th, 2016 12:03 PM Author: rebellious henna alpha fat ankles
I haven't read it in many years, but I did for a long time. I sorta fell off the wagon with TKOL.
But I am enjoying AMSP a lot, which inspired me to go back and find videos and song versions that I recall loving (and continue to love) from 2008 back to 2000ish.
I have HD copies of Scotch Mist, Thumbs Down, Le Reservoir, 2003 Glastonbury, among some other performances I can't recall at the moment. (Watching Scotch Mist stoned on Current was a transcendental experience.)
So just let me know if you -- or anyone else -- wants me to upload them & poast here.
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30476986) |
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Date: May 14th, 2016 1:00 PM Author: rebellious henna alpha fat ankles
Scotch Mist: a film with radiohead in it (Dec. 31, 2007)
Resolution: 720p; Runtime: 52:14
Download: https://we.tl/owTWh8CwOm
Tracklist:
01. Opening: Scotch Mist
02. Weird Fishes / Arpeggi
03. Interlude: Scotch Mist
04. Jigsaw Falling Into Place (Alternate Version)
05. Interlude: Three Colors – Yellow
06. Faust Arp (In A Parking Lot)
07. 15 Step
08. Interlude: Three Colors – Red
09. Videotape
10. Reckoner
11. House of Cards
12. Interlude: Three Colors – Blue
13. All I Need
14. Nude (Album Version + Official Music Video)
15. Closing
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30477299) |
Date: May 14th, 2016 11:58 AM Author: Self-absorbed Aggressive Parlour
My favorite live performance of 2+2=5
https://www.youtube.com/watch?v=RG-4xziZ17Q
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30476954) |
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Date: May 14th, 2016 12:35 PM Author: rebellious henna alpha fat ankles
I'm trying to track down what show this was. Any idea if it was Earls Court, London, 2003, 1st Night or 2nd Night?
I just grabbed the full audio of the 1st night, but am difficulty finding the full video of this performance.
Night 1 audio: https://www.dropbox.com/s/xlzf4314cmfjyid/RHEARLS03.rar?dl=0 [not my link]
Here are the setlists of both nights:
Night 1:
The Gloaming
2 + 2 = 5
My Iron Lung
Where I End and You Begin
Kid A
I Will
Myxomatosis
I Might Be Wrong
Sail to the Moon
Lucky
Paranoid Android
Go to Sleep
Sit Down. Stand Up.
Just
Idioteque
Fake Plastic Trees
There There
Encore:
You and Whose Army?
The National Anthem
A Wolf at the Door
Street Spirit (Fade Out)
Encore 2:
We Suck Young Blood
Karma Police
Everything in Its Right Place
Night 2:
There There
2 + 2 = 5
Sit Down. Stand Up.
Where I End and You Begin
Lucky
Backdrifts
I Might Be Wrong
Myxomatosis
Creep
Paranoid Android
Go to Sleep
Sail to the Moon
No Surprises
The Gloaming
Just
Exit Music (for a Film)
Idioteque
Encore:
Like Spinning Plates
The National Anthem
A Punch Up at a Wedding
How to Disappear Completely
Encore 2:
We Suck Young Blood
The Bends
Follow Me Around
Everything in Its Right Place
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30477160) |
Date: May 14th, 2016 12:05 PM Author: Razzmatazz Twinkling Uncleanness Mediation
http://www.cracked.com/article_19848_7-famous-musicians-who-stole-some-their-biggest-hits.html
#5. Radiohead
OK, hipsters, we'll give the fact that Radiohead is on this list a second to sink in. We know you're probably already putting on your best commenting shoes so you can call us ignorant jackasses. But please, let us state our case. In keeping with a recurring theme so far on this list, Radiohead kicked off their career by making their breakthrough single a gigantic theft of another band. In this case, the victim was the Hollies. Check out Radiohead's "Creep" compared to the Hollies' "The Air That I Breathe":
https://www.youtube.com/watch?v=IsyZbrW--ms
Before you cry foul and claim that you don't hear the similarities, understand this -- the Hollies sued Radiohead and won. Take a look at the "writers" section in the sidebar of the Wikipedia page for the song "Creep." Albert Hammond and Mike Hazlewood are listed. That's because they wrote "The Air That I Breathe." Radiohead was forced to share writing credit with the duo after the lawsuit came to its inevitable conclusion.
"Yeah, but that was early Radiohead, man. Everyone knows that first album was garbage." Fine, music scholar, that's a great point. Unfortunately, that point is completely negated when you consider that "Karma Police," a song that's been hailed as "one of the cornerstones of one of the greatest albums of the '90s," was also a rip-off. And this time, the musicians they stole from had a little bit higher of a profile. Take a listen to "Karma Police" side by side with the Beatles' "Sexy Sadie":
https://www.youtube.com/watch?v=0MVE0NCyYwU
Did you notice how seamlessly the two songs blend into each other? There's a pretty clear reason for that. Radiohead just slightly sped up the same piano riff from "Sexy Sadie" and added some Debbie Downer lyrics to it.
But, much like Oasis before them, the Beatles don't have a whole lot of room to complain, and not just because most of them are dead now (sigh).
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30476998) |
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Date: May 14th, 2016 12:29 PM Author: rebellious henna alpha fat ankles
i'm shocked, shocked that the poaster universally considered among the lowest of the low-IQ crowd on this boart is attempting to hijack this thread.
this isn't worth substantively responding to. because, at bottom, i don't even hold OKC in particularly high regard.
come back and try again when you have a legitimate argument against Kid A / Amnesiac / HTTT / In Rainbows. oh wait, you can't and won't. thanks for playing.
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30477112) |
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Date: May 14th, 2016 1:23 PM Author: rebellious henna alpha fat ankles
Background[edit]
Following the critical and commercial success of their 1997 album OK Computer, the members of Radiohead began to suffer psychological burnout, and songwriter Thom Yorke suffered a mental breakdown.[1] He told The Guardian: "I always used to use music as a way of moving on and dealing with things, and I sort of felt like that the thing that helped me deal with things had been sold to the highest bidder and I was simply doing its bidding. And I couldn't handle that."[1]
Troubled by new acts he felt were imitating Radiohead,[2] Yorke believed his music had become part of a constant background noise he described as "fridge buzz",[3] and became openly hostile to the music media.[1][4] He began to suffer from writer's block, and said: "Every time I picked up a guitar I just got the horrors. I would start writing a song, stop after 16 bars, hide it away in a drawer, look at it again, tear it up, destroy it."[5] He said he had become disillusioned with the "mythology" of rock music, feeling the genre had "run its course".[2] He had been a DJ and part of a techno band at Exeter University,[2] and following OK Computer began to listen almost exclusively to the electronic music of Warp artists such as Aphex Twin and Autechre, saying: "It was refreshing because the music was all structures and had no human voices in it. But I felt just as emotional about it as I'd ever felt about guitar music."[1]
Drummer Phil Selway said Radiohead worried that the success of OK Computer had "turned us into a one-trick band."[5] Bassist Colin Greenwood said: "We felt we had to change everything. There were other guitar bands out there trying to do similar things. We had to move on."[6] Guitarist Ed O'Brien had hoped Radiohead's fourth album would comprise "snappy", melodic guitar songs, but Yorke stated: "There was no chance of the album sounding like that. I'd completely had it with melody. I just wanted rhythm. All melodies to me were pure embarrassment."[5] He liked the idea of his voice being used as an instrument rather than having a leading role in the album,[7] and intended to move Radiohead away from traditional songwriting and instead focus on sounds and textures.[7]
Recording
Radiohead began work on Kid A in Paris in January 1999 with OK Computer producer Nigel Godrich and no deadline.[8] Yorke, who had the greatest control in the band, was still facing writer's block.[8] His new songs were incomplete, and some consisted of little more than sounds or drum machine rhythms; few had clear verses or choruses.[8] Instead of working as a traditional rock band, the band experimented with instruments including modular synthesisers and the ondes Martenot, an early electronic instrument similar to a theremin, and used software such as Pro Tools and Cubase to edit and manipulate their recordings.[5]
Radiohead recorded the strings for "How to Disappear Completely" in Dorchester Abbey, Oxfordshire.
The band struggled with Yorke's change of direction. Guitarist Jonny Greenwood was concerned that the album "might appear too gratuitous a move towards electronica and random digital experimentation".[8] His brother Colin feared "some awful art-rock nonsense just for its own sake so that it looks like you're cutting your nose off to spite your face."[8] According to Yorke, Godrich "didn't understand why, if we had such a strength in one thing, we would want to do something else. But at the same time he trusted me to have an idea of what I wanted."[9] The band had to accept that not every member would appear on every song, which initially caused conflict. O'Brien said: "It's scary - everyone feels insecure. I'm a guitarist and suddenly it's like, well, there are no guitars on this track, or no drums."[8]
In March, Radiohead moved to Medley Studios in Copenhagen for two weeks.[8] According to O'Brien, the sessions produced about 50 reels of tape each containing 15 minutes of music, with nothing finished.[8] In April, Radiohead resumed recording in a Gloucestershire mansion.[8] The lack of deadline and the number of incomplete ideas made it hard for the band to focus, and they agreed to disband if they could not agree on an album worth releasing.[8]
In July, O'Brien began keeping an online diary of Radiohead's progress.[10] In the same month, Radiohead moved to their new studio in their hometown Oxford.[8] By the end of 1999, six songs were complete, including the title track.[5] In January 2000, at Godrich's suggestion, Radiohead split into two groups: without using acoustic instruments such as guitars or drums, one group would generate a sound or sequence and the other would develop it. Though the experiment produced no finished songs, it helped convince the band of the new direction.[8]
Yorke created the instrumental "Treefingers" by sampling and digitally processing O'Brien's guitar to create an ambient sound.[11] He recorded "Motion Picture Soundtrack" on a harmonium pedal organ, influenced by songwriter Tom Waits; Greenwood added samples of harps, attempting to recreate the atmosphere of 1950s Disney films.[12] "Idioteque" was built from a drum machine pattern Jonny Greenwood created with a modular synthesiser. Feeling it "needed chaos", Greenwood experimented with found sounds and sampling.[13] He gave the unfinished 50-minute recording to Yorke, who took a short section of it and used it to write the song.[13] Greenwood could not remember where the song's four-chord synthesiser phrase had come from; he later realised he had sampled it from "Mild und Leise", a computer music piece by Paul Lansky released on the 1976 LP First Recordings — Electronic Music Winners. Lansky allowed Radiohead to use the sample after Greenwood wrote to him with a copy of the song.[12]
In early 2000,[14] Greenwood, the only Radiohead member trained in music theory, composed a string arrangement for "How to Disappear Completely" by multitracking his ondes Martenot playing.[12] In February, Radiohead recorded the string section in the Orchestra of St John's in Dorchester Abbey, Oxfordshire;[14] they chose the orchestra as they had performed pieces by Penderecki and Messiaen.[15] The orchestra leader, John Lubbock, encouraged the orchestra to experiment and work with Greenwood's "naive" ideas.[15]
Yorke had recorded an early demo of "The National Anthem" when the band was still in school.[12] In 1997, Radiohead recorded drums and bass for the song, intending to develop it for an OK Computer B-side, but decided to save it for their next album.[12] For Kid A, Greenwood added ondes Martenot and sampled sounds from radio stations.[12] Radiohead recorded a brass section inspired by the "organised chaos" of Town Hall Concert by the jazz musician Charles Mingus. Yorke and Greenwood directed the musicians to sound like a "traffic jam"; according to Yorke, he jumped up and down so much during his conducting that he broke his foot.[15]
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30477480) |
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Date: May 14th, 2016 1:36 PM Author: rebellious henna alpha fat ankles
The Kid A / Amnesiac recording sessions were a huge change in the band's direction. They didn't want to be a guitar-rock band anymore; they ended up pursuing an avant-garde electronic sound.
Yorke's affinity for Aphex Twins & Autechre is well-documented. He pushed the band to eschew melodies in favor of rhythm & texture, substitute synthesizes for guitars, use samples, and used his voice as an instrument itself, instead of singing regular lyrics.
Yorke, who had the greatest control in the band, was still facing writer's block.[8] His new songs were incomplete, and some consisted of little more than sounds or drum machine rhythms; few had clear verses or choruses.[8]
Instead of working as a traditional rock band, the band experimented with instruments including modular synthesisers and the ondes Martenot, an early electronic instrument similar to a theremin, and used software such as Pro Tools and Cubase to edit and manipulate their recordings.[5]
(http://www.autoadmit.com/thread.php?thread_id=3222453&forum_id=2#30477573) |
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