Can someone explain the film “Get Out”?
| Claret legal warrant | 07/10/20 | | Bipolar concupiscible pisswyrm | 07/10/20 | | motley blue water buffalo | 07/10/20 | | Ultramarine sex offender | 07/10/20 | | Bipolar concupiscible pisswyrm | 07/10/20 | | Claret legal warrant | 07/10/20 | | appetizing twinkling uncleanness | 07/10/20 | | Brilliant high-end sandwich juggernaut | 07/10/20 | | Vivacious Big-titted Pistol | 07/10/20 | | Claret legal warrant | 07/10/20 | | Vivacious Big-titted Pistol | 07/10/20 | | Claret legal warrant | 07/10/20 | | Vivacious Big-titted Pistol | 07/10/20 | | aquamarine low-t rigor | 07/10/20 | | Titillating copper deer antler love of her life | 07/10/20 | | Mauve harsh halford | 07/10/20 | | Claret legal warrant | 07/10/20 | | rose cuck mad-dog skullcap | 07/10/20 | | Claret legal warrant | 07/10/20 | | house-broken outnumbered cruise ship philosopher-king | 07/10/20 | | violet point crotch | 07/10/20 |
Poast new message in this thread
Date: July 10th, 2020 2:19 PM Author: Ultramarine sex offender
Armond White, as usual, does a 180 job:
https://www.nationalreview.com/2017/02/jordan-peeles-get-out-trite-get-whitey-movie/
Peele’s self-congratulatory revenge humor has one particularly notable irony: It’s tailored to please the liberal status quo. His pace seems slow largely because the jokes are obvious: Bitch-goddess Rose trolls black sports websites in her bedroom, which is covered with basketball posters, recalling Scatman Crothers’s Afro erotica in The Shining. Chris even gets confined in a symmetrically furnished den with a 1960s TV console, Kubrick-style.
Once again, the 1960s serve as a race hustler’s vengeful reference point. But when the get-whitey genre was initiated in those blaxploitation movies made after the turmoil of that decade, artists from Melvin Van Peebles and Larry Cohen to Bill Gunn and Gordon Parks toyed with various genres to dramatize American social and economic circumstances. Black political consciousness was being realized on screen for the first time. Get Out is the recrudescence of Obama-era unconsciousness. Reducing racial politics to trite horror-comedy, it’s an Obama movie for Tarantino fans.
(http://www.autoadmit.com/thread.php?thread_id=4580931&forum_id=2#40581006)
|
 |
Date: July 10th, 2020 2:36 PM Author: appetizing twinkling uncleanness
Not sure what he means.
"His pace seems slow largely because the jokes are obvious: Bitch-goddess Rose trolls black sports websites in her bedroom, which is covered with basketball posters, recalling Scatman Crothers’s Afro erotica in The Shining"
What's the joke? Isn't the point that everything Rose and her family do = lib faux-woke bullshit, and blacks shouldn't be fooled by it. Basically beware the white lib who says they're an ally.
(http://www.autoadmit.com/thread.php?thread_id=4580931&forum_id=2#40581154) |
Date: July 10th, 2020 2:37 PM Author: Mauve harsh halford
It’s ostensibly a film made by a part-black, part-white male about being conflicted about his two different racial identities.
But obviously the white people in the movie are conniving, evil, & out to harm blacks.
(http://www.autoadmit.com/thread.php?thread_id=4580931&forum_id=2#40581160) |
|
|