Date: December 7th, 2021 10:00 PM Author: pearl heaven
The goals also shifted. But very few creators can get anything through Hollywood or publishing if their message is not The Message desired by the powerful. Maybe some legacy boomers like McCarthy or Kubrick did
But I look at the entertainment I loved as a teen and I see now how much of it was propaganda
the elites are in charge of...the entertainment systems. Via these systems these information transmission systema, Elites shape young minds through propaganda and one of the things that the elites injected into young white Minds is the idea that non-whites have higher Social Status than whites.. which is why young whites adopt the norms and values of non-whites.. hope this helps
You know how all the Jews are accusing Elon of buying Twitter to spread propaganda, despite it being one of the only free speech platforms? Now consider the possibility that they're projecting
Date: October 15th, 2024 5:06 PM Author: Chestnut mind-boggling lay famous landscape painting
The easy answer is that the legacy entertainment firms promote and give access primarily to DEI types and have by and large been captured by the left
The more difficult answer is that white American social and cultural norms, especially amongst the conservative camp, no longer allow for a creative culture that allows for the irrational and unpredictable conditions that enable great works of culture and cultural successes. The reasons for this are multifaceted and fault is ascribed across the board
Everyone was raving about that show Widow’s Bay so I started watching and it is really just kinda ok, not nearly as clever or funny as it thinks it is.
I don’t like the exaggerated praise and insipid language that is used these days - “OMG you gotta see this it’s AMAZING”
Really? I’m going to be “amazed” by an Apple TV show made by some chick from Ghostbusters 2016?
Date: August 3rd, 2026 8:03 PM Author: maroon rehab headpube
are you actually prepared to argue that hollywood was actually creative in 2016 or 2006 for that matter? LOL. the only difference is the proliferation of DEI in casting and themes, which is a legitimate marketing consideration in the current climate.
I watch Rio Bravo (1959) every year. It's such a great Film and was probably beholden to the same kind of studio exec influence. But every now and then it works for some reason. I don't know if we'll ever have another Rio Bravo though.